Minami-ke Tadaima – 02

(Rashiku, Ikimasho)
“Let’s be ourselves”

Minami-ke Tadaima is flexing its comic muscles in a big way after only two episodes.

No question about it, Minami-ke is really back. This material in the hands of staff who really understand it the timing, the tone, the balance of different elements is one of the true powerhouses of anime comedy (which is admittedly sometimes a pretty underpowered grouping). One of the major strengths of M-K is the deep and varied supporting cast, who form various orbits around the three sisters and sometimes cross over, usually with delightful results. This diversity allows the series to excel comedically in several different styles because each subset of the cast brings something different to the mix.

Just as loyalists of Minami-ke each seem to have favorites among the sisters, so it is with the supporting cast as well and the spotlight this week fell on some of mine. First and best we have the irrepressible Makoto/-chan (Morinaga Rika), for my money the funniest take on the trap character in anime history. Then theres the other Minami clan, the one with the Y-chromosomes eldest brother Haruo (Kawada Shinji), second brother Natsuki (Hiroyuki Yoshino) a classmate at Harukas put-upon youngest brother Akira (Hayama Tatsuya) and finally, little sister Touma (Mizuki Nana). She might be the most butch of the lot of them, to the point where Chiaki refers to her as my little brother.

Seeing all these oddballs interact is part of the fun of Minami-ke. Each sister has their own subset of school chums, among which the three youngest Minami B clan members belong. Touma also belongs in her family subset, and she forms a small gender-bending subset with Mako-chan, which is usually aligned with Kana. Makoto is part of Chiakis school subset as himself, but also part of the Minami A household as Mako-chan, and both halves of his nature interact with Chiaki and her friends Yoshino and Uchida at different times. He also forms a small subset with Plain Yogurt Shuiichi (Ohara Momoko) as the male division of Chiakis elementary school set.

The reason both Makoto/-chan and Touma work so well as gender-bender characters, I think, is that both of their situations are so seamlessly integrated into the plot and theyre both so conflicted about their duality. Makoto tries hard to be a real man (womens clothing can no longer suppress his wildness as a man) and is desperate to break out of the trap Kana laid for him. Yet hes so damn good at being a girl Chiaki laments that Makoto-kun isnt manly at all, but marvels that Mako-chan is so ladylike, and wishes Kana would take a lesson from her (its also worth noting that Chiaki pointedly tells her friends she doesnt hate Makoto, which for her is almost a confession). In addition to having a natural instinct at being a trap, Makotos ruse also allows him to be close to Haruka, on whom he has a hopeless if completely understandable crush heck, it even got him to second base with her in Season 2.

Poor Mako-chan even as he tries (for the 56th time Kanas counting) to save what little masculinity I have by taking off his hairpin and coming clean, Haruka pulls him back in again and hes helpless to resist. For my money Makoto is the best supporting character in Minami-ke both because hes hilarious and because theres real pathos in his situation hes so earnest about every baka thing he gets himself immersed in. But Touma is a great character too, not to be underestimated. Her ruse is more selective apart from Chiakis play-acting, its only Fujioka who actually thinks shes a boy. Touma purports to keep scam going because it allows her to talk and practice soccer with Fujioka, but in truth its pretty obvious that shes crushing on him just as hard as Chiaki is as witness her reaction when Kana plays her April Fools joke and tells Fujioka shes a girl. Poor Fujioka if he were a lolicon, hed have no relationship troubles at all, as hes got the 6th-grade set helpless against his charms.

That whole April Fools gag is an example of how Minami-ke can extend its gags to the level of meta-humor successfully, and never more so then when the traps are involved. Its also interesting to watch Kana interact with Touma and especially Makoto/-chan, because in that setting shes almost mature and sensible which is a cover, of course, for her scheming to keep both of them dancing like puppets at the end of her strings. Thats another thing thats so fun about this show, and why when its on it never gets repetitive all of the characters behave differently depending on the context in which we see them. Its most obvious with Makoto but it extends to everyone in the cast, not excluding Kanas two sisters. Haruka is a very different person interacting with her schoolmates (who we havent seen much of yet, indicating that this subset is likely to emerge next week) than she is at home, playing the den mother to her younger sisters and their large collection of friends.

Lastly, we had a welcome return to the spotlight for the male Minamis this week. They were almost totally absent from Season 3, and they were missed their dynamic is yet another completely distinct facet of M-Ks rainbow of comedy. Akira is one I really feel for his two older brothers, despite being idiots themselves, treat him with complete disdain and he barely seems to exist in their social structure. The older Minamis alternately dote on and confound Touma, as neither of them seem to understand the other in the slightest despite Toumas boyishness shes still the only girl in a house full of men, and the strain often shows. It was interesting to see a different side of her this week, after the brothers challenged her to be more ladylike going to Yoshino (not Uchida) for advice, which led her to Makoto (hilariously) then Chiaki. For tomboy Touma her sewing was craft work, but it turns out it was ladylike sewing all along which makes her a big hit at the female Minami house.

There are still many elements of the recipe that havent emerged yet, starting with the uniqueness that is Hosaka. We also havent had any of the food porn that Minami-ke is legendary for, which is often connected to Hosaka (who intermingles with several other subsets, but more than anyone in the cast forms a set of one). Given how deep the well of humor that this series has to draw on is, those elements could still be weeks away but therell be plenty to keep us amused in the meantime, even if thats the case.

 

Preview

26 Comments

  1. Zhinvu

    This is probably a minority opinion but really one day I hope Kana finally notices Fujioka’s feelings for her, but I guess if that happens this won’t be Minami-ke anymore.

    • Lordip

      Kana getting hitch with Fujioka won’t be so epic. But if Hosaka get it with the Banchou, now that would be the WTF moment of the year!

      • Zhinvu

        Haruka and Housaka…that might very well shake the whole foundation of this manga.

      • Nekomimimeido

        As much as I like Hosaka, I’m on the ex delinquent Natsuki X “Banchou” Haruka Ship. They seem to fit together haha!

  2. junglepenguin

    So here’s where we draw the line between being a fan and being a “true” fan (or maybe just being a stalker): Who noticed that Kana’s hair was tied lower before she even mentioned anything about being different?

    • junglepenguin

      And if you were wondering: Yes, I noticed the change with her hair almost instantly, and I feel somewhat proud of that fact.

      • cshin9

        I first thought her hair was longer. Then I noticed how it was tied.

    • Zhinvu

      Props to you noticing it immediately. I only noticed Kana’s new hairstyle a few seconds before she asked Mako-chan what was different about her. I was too focused on how Chiaki was going to react to a blue Fujioka.

    • Annyms

      I didn’t notice it instantly, but one shot from the side of Kana made me notice a little into the scene.

    • cshin9

      Yoshino’s hair is longer than in the first season too.

    • RegalStar

      I immediately noticed something unusual is with her hair, but I couldn’t pinpoint it until the answer was revealed.

  3. baseone

    Needs more “Konoyaro! Bakayaro!” from ChiakiDang I feel ashamed by not noticing this after watching all of Minami-ke’s seasons

  4. Name (required)

    i need more BAKAYAROU

  5. D

    I for one, missed Hosaka and was replaying this video for more times than healthy for my sanity. Thank god for yet another Minami-ke season.

  6. J_the_Man

    Are all the Minami-Ke animes related to each other? Or are they all different?

  7. ftw

    I think the star of this episode is actually Yoshino. I mean, she’s so innocently sneaky.

  8. qwert

    I liked Kana’s subtle hairstyle change, would be nice if they tried to sneak it in a couple more times.

  9. Annyms

    So far this season has impressed me. This episode really brings me back to what I loved about the first season. I hope they can keep this quality throughout the season.

    • ninjaugal

      its just me, or is there somebody feel it? in minamike season 1, 30 mnts = 1 hour.but in this season 4, 30 mnts = 15 mnts.(im sorry if my english is bad, because english is not my first language)

  10. Koji

    Oh good minami-ke, how I’ve missed you. It’s like seasons 2 and 3 never existed.Seriously… I can’t even remember hardly anything from seasons 2 and 3…

  11. Affy

    Aww… loved Kana hairstyle

  12. esquirek

    Trying to watch Minami-Ke raw :D! It’s got less jargon than other shows, and whatever happens still manages to bring a smile to my face.Reading your blog posts beforehand really helps to get a general idea of the episode before I delve into it all :)! Thanks again for blogging – This season really is shaping up to be freaking ace!

  13. cshin9

    As I was watching the other Minami family, I remembered the episode when Haruka talked to them over the phone in a low voiceand they thought she was a kidnapper asking a ransom for Touma.

  14. Naiika

    Couldn’t stand season 2, didn’t even watch season 3 but I loved season 1. Hosaka is epic and my favorite character in the anime by far. I might watch this if it lives up to the first season.

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