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Fire and Rain
Their musical talent is practically effortless. They compose, write, sing, and create together as though theyve been doing it for years. Theyre complete opposites, but can somehow surf the others wavelengths with ease. Thats not to say that Carole and Tuesday wont have obstacles to overcome together. Although the series is slow to soar in terms of both music and story, the set up is actually becoming a little more interesting as the girls take smalls steps forward.
In this episode, they accept Gus as their manager and they receive help from Roddy so they can pitch their new song to Ertegun – who I might add, is an absolute prick.
Whats interesting in this episode though is the foreshadowing of the issues around Tuesdays upbringing. We know that shes lived her whole life coddled in a very large home with a caring brother but a mother who doesnt necessarily prioritize her children. Tuesday might have difficulty expressing herself (aside from her lyrics) because shes been shut down time and time again. Carole, on the other hand, although brought up under entirely different circumstances, has always been able to express herself either through use of violence, her words, or even pranks. She can be blunt at times but thats also part of her charm and the reason shes been able to live on her own so far.
This stark difference between them is very noticeable when they react to Erteguns suggestion that they want to sleep their way to the top. Hes intentionally degrading their work and efforts, which upsets both girls. However, unlike Carole who expresses her disdain, Tuesdays anger flourishes through a dissociative explosion. She burns their music sheets using Erteguns fancy lighter and throws the sheets high up into the air, triggering the fire extinguishers. Shes clearly unaware of her actions when Carole steps in to snap her back to reality. Just with this single fit of rage I could tell that Tuesdays feelings have been pent up for a while. The scene then took on a lighter tone as the soundtrack softened and the girls ran off, Gus trailing behind them. However, even if the issue was essentially brushed off, Tuesdays dissociative state might return to either hinder their strides or even come between them. Or perhaps Im overthinking the whole thing. However, its not unlike Watanabe Shinichiro to work this way.I recognize the same playing around with mature themes and lighter tones that was present in both Samurai Champloo and Cowboy Bebop.
Aside from Gus and Robby, after three episodes, in my opinion many of the supporting characters still lack depth. For one, Ertegun is the kind of douche we all imagine the worst celebrities could be. Surrounded by the hottest girls in the city, self-absorbed, probably spending more than he earns, and the Who am I? tagline are all quite generic character traits. Nothing about him makes me want to despise him, although I did flinch when he dropped his robe. Tao and Angelas relationship still eludes me and I have yet to feel anything for Angelas misfortunes even after learning that shes trying to live up to her mother’s expectations. Theyre all pretty generic but knowing that the series has two cours is whats keeping me interested in them.
On another note, there were lots of pop culture references in this episode, a quirk of the show I’m quite fond of. If youre unfamiliar with Vogues 73 questions, now would be a good time to look it up. Angie was part of Teen Vogues 37 Questions, she works out by the pool in a bathing suit (every fitness influencers Instagram account today), Banksys shredded Girl with a Balloon makes an appearance, there are references to musical pop stars like Bieber and to legendary musicians like the Beatles. Clearly, most of the work is going into the music and cultural references in Carole & Tuesday.
My opinion of the first two episodes is that Carole and Tuesdays jams sessions and musical appearances are what redeemed them. However, in this third episode, Im very much appreciating the larger roles Roddy and Gus are playing, even Ertegun. The story seems to be evolving, things are being foreshadowed, and I like the sense that were moving forward, even if its slow. Seems about right though when it comes to music. You cant rush art.





































Wherever this is headed, it sure is fun to watch.
That laundry guy looked like he was having another meh day. Seeing two girls suddenly clapping and singing must have cheered him up a bit.
We had Love Live Sunshine and Zombieland Saga followed by Band Dream. Now we have carole and Tuesday.Im really getting into the bandoori-idoru-music genre of anime. Regardless what, I am enjoying CT. Though the parts where they have to keep running away seems to be the continued butt of joke. It its of any consolation, this might turn out similar to WUG S1 where the girls struggle to find their place or it could be similar to im@s. I too believe that Tuesdays dissociative explosion will come back to haunt them. Will it be a baggage like Chihaya Kisaragis guilt? With the continued music pieces that they keep on singing, Im hoping theyd have a powerful one to reach or surpass Yakusoku. Many have come close to Yakusoku but none have yet to surpass it.
It’s a fun genre.Besides the obvious ones, some of the oldies are fun: Nana, Beck: Mongolian Chop Squad, and Detroit Metal City (not idol, of course, but…) the more musically-oriented Macross (especially Frontier, Plus, and Delta)… (I wish K-On had been a bit more about music.)
Motorhead has been invoked.They have been invoked as a positive influence.Automatically, AOTS.A little relevant explanation as to why…
Mars…You know, when you go there you feel like… this…
a.i. has been doing well composing music but I’m surprised they’re not using future vocaloid and virtual idols